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    <title>Ramblin Jack Elliott Recent News</title>
    <link>http://www.anti.com/rss/news/</link>
    <description>Ramblin Jack Elliott Recent News Headlines</description>
    <language>en-us</language>
    <lastBuildDate>Fri, 19 Mar 2010 04:03:07 -0700</lastBuildDate>
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            <title>Ramblin&apos; Jack Elliott Wins 2010 Grammy Award; Influential Artist Wins for Best Traditional Blues Alb</title>
            <link>http://www.anti.com/news/index/704</link>
            <description>Anti- Records would like to offer a heartfelt congratulations to legendary musician Ramblin&apos; Jack Elliott for receiving a Grammy Award in the category of &quot;Best Traditional Blues Album (Vocal or Instrumental) &quot;for his stunning album &lt;i&gt;A Stranger Here&lt;/i&gt; produced by fellow Anti- artist Joe Henry. &lt;br /&gt;
&lt;br /&gt;
One of the great American musical treasures, Elliott has been an undeniably influential figure in American music. He developed his voice under the tutelage of Woody Guthrie, was a fixture of the Greenwich Village scene, and was a mentor to an up-and-coming Bob Dylan, who was often mistakenly dubbed the &quot;son of Jack Elliott.&quot; Elliott&apos;s dramatic life story was recently documented in a new literary biography entitled &quot;Ramblin&apos; Jack Elliott: The Never-Ending Highway.&quot; &lt;br /&gt;
&lt;br /&gt;
On &lt;i&gt;A Stranger Here&lt;/i&gt;, Elliott teamed with producer Henry (who has just finished working with another musical legend in Mose Allison) to explore a set of depression era blues songs in a deeply personal and innovate style with assistance from a cadre of talented musicians including Van Dyke Parks and David Hidalgo (Los Lobos). &lt;br /&gt;
&lt;br /&gt;
Elliott&apos;s Grammy win is a deserved gesture of appreciation from his industry peers and a further testament to Ramblin&apos; Jack Elliott&apos;s lasting and continuing mark on the world of music.</description>
            <pubDate>Tue, 02 Feb 2010 00:02:00 -0800</pubDate>
            <guid>http://www.anti.com/news/index/704</guid>
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        <item>
            <title>Anti Records Reviews An Exceptional 2009</title>
            <link>http://www.anti.com/news/index/692</link>
            <description>&lt;center&gt;&lt;b&gt;Legendary Artists, A Breakout Album for Neko Case,  A Triumphant And Soulful Offering From The Swell Season, Six Grammy Nods for Anti Artists, Tom Waits Live Album and Much More&lt;/b&gt;&lt;/center&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;William Elliott Whitmore: &lt;i&gt;Animals in the Dark&lt;/i&gt;&lt;/b&gt; - On his Anti debut Whitmore reflects on life and loss and the world surrounding his Iowa horse farm on the banks of the Mississippi. The album showcases Whitmore’s classic songwriting and mastery of the acoustic guitar and banjo, but adds elements such as strings, an organ and a pedal steel, giving the songs a more expansive, cultivated sound. 2009 saw this unique artist captivating audiences around the world with his haunting and timeless sound.&lt;br /&gt;
&lt;br /&gt;
&quot;&lt;i&gt;Animals&lt;/i&gt; reinforces his reputation as one of today&apos;s most transcendent folk artists.&quot; - &lt;b&gt;Kansas City Star&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&quot;There&apos;s a time-honored truthfullness to William Elliott Whitmore that can&apos;t be rehearsed and most certainly can&apos;t be faked. It&apos;s tonally apparent in the world-weary ache of his baritone voice; it&apos;s lyrically manifested in the god-fearing mannerisms of simple protagonists; and it&apos;s buried deep within the gutsy pride and righteous integrity with which the Americana singer confronts issues of moral wrongs, institutional control, and fundamental rights throughout &lt;i&gt;Animals in the Dark&lt;/i&gt;.&quot; - &lt;b&gt;The Absolute Sound&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;NASA: &lt;i&gt;The Spirit of Apollo&lt;/i&gt;&lt;/b&gt; - A joyfully sometimes surreal musical expedition overflowing with inspired collaborations -Tom Waits growls over Kool Keith, Karen O taunts while Ol&apos; Dirty Bastard gives shout-outs to Wu Tang and N.A.S.A from the grave, and David Byrne, Chuck D and others expound on the evils of &quot;Money.&quot; In spite of the range of performers, the pairings make perfect sense. Live the band features dancing aliens which is always a plus.&lt;br /&gt;
&lt;br /&gt;
“&lt;i&gt;The Spirit of Apollo&lt;/i&gt; is what happens when the imagination is let out of its cage. Good things happen.” – &lt;b&gt;Urb&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
N.A.S.A.&apos;s dope beats and wet-dream collaborations make &lt;i&gt;Apollo&lt;/i&gt; an absolute must-have. - &lt;b&gt;Alternative Press&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Neko Case: &lt;i&gt;Middle Cyclone&lt;/i&gt;&lt;/b&gt; – A stunning album by one of the preeminent songwriters and performers today. This is the record that finally transported Case from heroine of the underground into a deservedly larger spotlight. A riveting tour de force which has already graced many best of polls including those of Spin, Pitchfork and the top position on Amazon’s “Best Music of 2009” list. The album has also received Two Grammy nominations for “Best Contemporary Folk Album” and “Best Recording Package” (for the striking album cover) &lt;br /&gt;
&lt;br /&gt;
“Case has one of the most powerful sets of pipes in pop” - &lt;b&gt;Rolling Stone&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“Neko Case’s songs are full of claws, wolves, tornadoes, birds of prey and the occasional gust of wind.  But her voice is the real force of nature.” – &lt;b&gt;New York Times Magazine&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Ramblin’ Jack Elliott: &lt;i&gt;A Stranger Here&lt;/i&gt;&lt;/b&gt; - The renowned troubadour steps out of the country/folk arena that has shaped his legend and examines pre-WWII blues songs in a wholly unique way. &lt;i&gt;A Stranger Here&lt;/i&gt; proves another wonderful tome in the library of one of the great American storytellers. The album has been nominated for a Grammy in the category of “Best Traditional Blues Album” and has garnered the album’s esteemed producer Joe Henry a nomination in the “Best Traditional Blues Album” category.&lt;br /&gt;
&lt;br /&gt;
“Ramblin’ Jack Elliott is, along with Pete Seeger, one of America’s finest living folk singers. Seeing him play is a treat, but hearing him tell long, meandering stories — he didn’t get that nickname for nothing — is transformative.” - &lt;b&gt;New York Times&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“Both beautiful and brave in its purity&quot; - &lt;b&gt;Performing Songwriter&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Bob Mould: &lt;i&gt;Life and Times&lt;/i&gt;&lt;/b&gt; - A cathartic and vital album by an influential artist marks the respective anniversaries of the formation of Husker Du and Mould’s lauded solo effort &lt;i&gt;Workbook&lt;/i&gt; with an album of unflinching self-reflection. Standouts like &quot;Wasted World&quot; and &quot;I&apos;m Sorry Baby, But You Can&apos;t Stand In My Light Anymore&quot; highlight an artist completing a cycle decades in the making, his talent undiminished, his perspective acute.&lt;br /&gt;
&lt;br /&gt;
&quot;Passion, beauty, intelligence, grace: it&apos;s all here.&quot; – &lt;b&gt;Filter&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&quot;This newest collection is moody and minimalist, and it showcases Mould’s introspective side. The most compelling songs evoke the speed, energy, and passionate commitment that justly made Mould an icon.&quot; - &lt;b&gt;New Yorker&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Jason Lytle: &lt;i&gt;Yours Truly, The Commuter&lt;/i&gt;&lt;/b&gt; - Two years after Grandaddy&apos;s demise, Lytle returns with an immaculately crafted pop soundscape that mirrors both the dramatic environment of Lytle&apos;s newly-adopted Montana and the vintage twang of the Central California farmland that inspired hiss earlier work. Electronic flourishes collide with acoustic guitars and soulful piano parts, perfectly recreating Lytle’s signature lo-fi-electro atmospheres. &lt;br /&gt;
&lt;br /&gt;
“A richly textured work that is lovingly crafted and affectingly poignant.&quot; - &lt;b&gt;Alternative Press&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“A textured homage to the lush and laid-back West Coast dream life of his youth…it’s like Bruce Springsteen’s open highway finally reached a melancholy kid from Modesto.”  - &lt;b&gt;Spin&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Booker T: &lt;i&gt;Potato Hole&lt;/i&gt;&lt;/b&gt; – The trailblazing soul man has written the most audacious chapter of his career with his first solo album in decades. Backed by the Drive-By Truckers with Booker&apos;s signature Hammond B3, the album bristles with energy and heart. The album has earned a Grammy nomination for Jones in the category of “Best Pop Instrumental Album.”&lt;br /&gt;
&lt;br /&gt;
“There are no chart-baiting superstar guest vocalists or gimmicks, just gut-punching, funky, loose-limbed, rock &apos;n&apos; soul jams recorded in down-and-dirty sessions without an inch of fat.” - &lt;b&gt;Boston Globe&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“&lt;i&gt;Potato Hole&lt;/i&gt; proves as extraordinary, delirious and laugh-out-loud weird as anyone might dare hope.” – &lt;b&gt;Uncut&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;The Field: &lt;i&gt;Yesterday &amp; Today&lt;/i&gt;&lt;/b&gt; - The innovative sound artist expands his ever transfixing audio palette, continuing the oblique sampling strategy of his critically praised “From Here We Go Sublime” while building up the rhythmic architecture to startling new heights.&lt;br /&gt;
&lt;br /&gt;
“Full of driving, dirty beats, crisp bells and hats that delicately pepper the high end, this sonic treasure offers plenty of infectious grooves.” - &lt;b&gt;DJ Times&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“&lt;i&gt;Yesterday &amp; Today&lt;/i&gt; is gorgeous, overwhelming, lush and (mainly) wordless, and it reeks throughout of inarticulable emotion.” - &lt;b&gt;Prefix Magazine&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Bettye LaVette: &lt;i&gt;Change is Gonna Come Sessions&lt;/i&gt;&lt;/b&gt; – The soul singer extraordinaire revisits her forgotten post-Atlantic Records years as a nightclub singer and Broadway performer with a mix of classics including a heart wrenching rendition of Billie Holiday&apos;s &quot;God Bless The Child&quot; and an acclaimed version of Sam Cooke&apos;s &quot;A Change Is Gonna Come,&quot; which LaVette performed at the Obama Inaugural Celebration.&lt;br /&gt;
&lt;br /&gt;
&quot;There&apos;s no one more soulful than Bettye LaVette…Bettye makes great music now because of her obstacles. She has a fire in her belly and a passion that was never squashed over the years...you just hear it and feel it in everything she sings.&quot; - &lt;b&gt;CNN.com&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
 “a compelling and intimate set of songs that adroitly combine a smoky jazz club, Saturday night rent party and Sunday morning church service. “ - &lt;b&gt;Creative Loafing&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Busdriver: &lt;i&gt;Jhelli Beam&lt;/i&gt;&lt;/b&gt; – The art rap progenitor returns to jolt rap back into shape with virtuoso vocal stylings and poignant (and at times dadaist) lyricism. This record not only effortlessly trumps all previous mind-bending performances of his earlier works, but gives them new context; highlighting their dexterity with nuggets of election year paranoia and absurdist humor. &lt;br /&gt;
&lt;br /&gt;
&quot;Everything on &lt;i&gt;Jhelli Beam&lt;/i&gt; makes sense. Every word is a picture. Every sentence pushed over the one before it the way dominos fall when they&apos;re lined up in a row....This is creativity - this is the reason for being: to preceive/ingest, and digest, and poop it out.&quot; - &lt;b&gt;LA Record&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“Busdriver&apos;s crazy, quick verses sprint from inside-out humor to social criticism alongside challenging beats that reward repeated listens. Exciting, odd stuff.&quot; - &lt;b&gt;Chicago Tribune&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Solillaquists of Sound: &lt;i&gt;No More Heroes&lt;/i&gt;&lt;/b&gt; - With this release the Orlando-based hip hop quartet have accomplished the rare feat of creating a body of work that&apos;s as palatable to the public as it is groundbreaking, imaginative, and rewarding to listeners looking for something more in the soundtrack to their lives.&lt;br /&gt;
&lt;br /&gt;
“authentic and raw, blending elements of dubstep, afrobeat, folk, most&lt;br /&gt;
obviously hip-hop, but surprisingly more synth-beats infused in a background of beautiful harmonies.” - &lt;b&gt;7x7 Magazine&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“A lyrically potent, melodic, and danceable piece, make sure to cop one of the best records the year has to offer.” – &lt;b&gt;Sputnikmusic&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Joe Henry: &lt;i&gt;Blood From Stars&lt;/i&gt;&lt;/b&gt; - The revered solo artist and Grammy-winning producer’s music spans many genres but the dominant sound on &lt;i&gt;Blood From Stars&lt;/i&gt; is a rich blues tonality that swells into ravishing epics that jump the rails to incorporate folky jazz and bent Sinatra-esque washes of sampled strings. Henry’s eleventh album is a tour de force of lush arrangements and seductive song lines. The acclaimed musician/producer was also nominated for a Grammy for his work guiding Ramblin Jack Elliott’s release, &lt;i&gt;A Stranger Here&lt;/i&gt;.&lt;br /&gt;
&lt;br /&gt;
&quot;Joe Henry is like that unexpected piece of dark chocolate at the bottom of the ice cream dish: something rich, sweet and so surprisingly good that you wonder how it escaped you before. This album captures a sensuous musicality, whether it&apos;s torch songs or avant-garde and traditional jazz, raw blues or pumped up soul escapades.&quot; – &lt;b&gt;RELIX&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“For connoisseurs of craft, Henry’s writing is an absolute joy, drawing effortlessly on classic pop, roots, and folk traditions and alchemizing these various strains into a single, sweet sound.” – &lt;b&gt;American Way Magazine&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Os Mutantes: &lt;i&gt;Haih or Amortecedor&lt;/i&gt;&lt;/b&gt; - Still psychedelic, influential, political and playful after all these years – the near mythical has crafted triumphant return with their first record in 35 Years. Revered by luminaries such as Kurt Cobain, the Flaming Lips Devendra Banhart and Beck, the Mutantes have delivered one of the most original and enjoyable albums of the year.&lt;br /&gt;
&lt;br /&gt;
&quot;a superb, politically tinged reunion effort....their new songs remain as bold and fascinating as their old ones.&quot; – &lt;b&gt;New Yorker&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&quot;&lt;i&gt;Haih Or Amortecedor&lt;/i&gt; is rhapsodic, an endearing tribute, and a welcome addition, to one of pop music’s strangest group of musicians.&quot; – &lt;b&gt;Popmatters&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Islands: &lt;i&gt;Vapours&lt;/i&gt;&lt;/b&gt; – The ever evolving Montreal outfit returns with an album that flits back and forth between moody synthesizers and drum-machine-heavy beats and an array of intriguing sonic textures, all the while remaining firmly rooted in the classic pop sensibilities and melodic hooks the band is celebrated for. &lt;br /&gt;
&lt;br /&gt;
&quot;infectious and weird....masterful, refreshing synth-pop, served up pure and simple.” – &lt;b&gt;Blackbook&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&quot;one of our favorite albums of the fall. It&apos;s just some lush, pop goodness.&quot; – &lt;b&gt;Paper Magazine&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Rain Machine: &lt;i&gt;Rain Machine&lt;/i&gt;&lt;/b&gt; - Kyp Malone’s solo project features ten unflinchingly original and emotional songs mixing elements of modern jazz, blue-grass and blistering guitar driven rock into a refreshing new sound. As singer and guitarist for celebrated band TV on the Radio, Malone proved himself both a captivating and delightfully unpredictable musical force. On &lt;i&gt;Rain Machine&lt;/i&gt;, he shows himself a singer and a lyricist of startling talents. &lt;br /&gt;
&lt;br /&gt;
“Malone steps out with an emotionally open debut just as experimental and daring as his work with TVOTR.” – &lt;b&gt;USA Today&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“The tunes sound a bit like a rain dance—tribal bells, trance-inflected refrains, the occasional howl—but one that&apos;s been fed through the post-apocalyptic fury of TV On The Radio. The result proves a compelling sonic exploration, knotty and exultant as ever.” – &lt;b&gt;The Onion&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Dead Man’s Bones: &lt;i&gt;Dead Man’s Bones&lt;/i&gt;&lt;/b&gt; - Initially intended as play about a monster-ghost-love-story, Zach Shields and Ryan Gosling eventually scrapped the stage show and recorded &lt;i&gt;Dead Man’s Bones,&lt;/i&gt; a refreshingly original album featuring doo-wop songs about werewolves, haunting melodies telling tales of zombies with broken hearts, and children singing the joys and pains of being alive or being dead.&lt;br /&gt;
&lt;br /&gt;
“Simultaneously sweet and spooky, heart-stirring and imaginative; a wonderful requiem to our forgotten fear of the dark&quot; – &lt;b&gt;LA Weekly&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“A decidedly beautiful thing&quot; – &lt;b&gt;MOJO&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;The Swell Season: &lt;i&gt;Strict Joy&lt;/i&gt;&lt;/b&gt; – The follow up to their Oscar winning “Once” soundtrack, &lt;i&gt;Strict Joy&lt;/i&gt; finds the duo of Glen Hansard and Marketa Irglova evoking the bittersweet aftermath of their real life romance and breakup with an album of stirring folk tinged blue eyed soul.&lt;br /&gt;
&lt;br /&gt;
“a lush, lovely, heartfelt gem.” – &lt;b&gt;NPR&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“&lt;i&gt;Strict Joy&lt;/i&gt; is a joy from start to finish, as few bands manage to mix intimacy and sweeping songcraft with such finesse.” – &lt;b&gt;All Music Guide&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Alec Ounsworth:  &lt;i&gt;Mo’ Beauty&lt;/i&gt;&lt;/b&gt; - a soulful and intriguing solo endeavor from celebrated singer/songwriter Alec Ounsworth of Clap Your Hands Say Yeah. Recorded in music-steeped New Orleans with an all star cast of local talent, the end result is a display of masterful songwriting and arguably Ounsworth’s best work yet. &lt;br /&gt;
&lt;br /&gt;
&quot;Mesmerizing and profound&quot; – &lt;b&gt;The Onion&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&quot;The sharpest arrangements and best songwriting of his short career: Almost every tune on &lt;i&gt;Mo Beauty&lt;/i&gt; equals or betters those on CYHSY&apos;s lauded 2005 debut, mixing spooky folk with frantic fun. Ounsworth&apos;s regular band may have a shaky future, but he doesn&apos;t.&quot; – &lt;b&gt;Spin&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Tom Waits:  &lt;i&gt;Glitter &amp; Doom Live&lt;/i&gt;&lt;/b&gt; – This two disc collection perfectly documents Waits&apos; sold out, acclaimed 2008 “Glitter and Doom” tour. The music disc features Waits&apos; in his eclectic glory shifting seamlessly from an array of characters: carnival barker, preacher, country singer, soul balladeer; cabaret singer and storyteller. Disc Two is a selection of the comic bromides, strange musings, and unusual facts that Waits traditionally shares with his audience during the piano set. &lt;br /&gt;
&lt;br /&gt;
“One of the most charismatic and straightforwardly entertaining live artists you are ever likely to see or hear. (..) Pick disc one for the uninterrupted junkyard blues and bewilderingly tender crooning: choose disc two for trivia and lies dredged from the back pages of the Fortean Times and delivered sans songs with the impeccable timing of a seasoned professional still in love with the stage and his audience.” – &lt;b&gt;Time Out London&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“Equal parts Captain Beefheart and Louis Armstrong as he examines the full spectrum of life, from the grimly grotesque to the sweetly sentimental… It’s an utter delight.” - &lt;b&gt;NME&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
* &lt;b&gt;Mavis Staples: &lt;i&gt;Live: Hope at the Hideout&lt;/i&gt;&lt;/b&gt; - While technically released at the end of 2008, it’s worth mentioning that Mavis’ blistering live album has just earned the legendary soul singer a well deserved Grammy nomination in the category of “Best Contemporary Blues Album.” Mavis was previously awarded a Lifetime Achievement Award at the 2005 Grammys for her collective work with the Staples Singers.</description>
            <pubDate>Wed, 16 Dec 2009 00:12:00 -0800</pubDate>
            <guid>http://www.anti.com/news/index/692</guid>
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            <title>Lightning Deals at Amazon Featuring Tom Waits, Neko Case &amp; The Swell Season</title>
            <link>http://www.anti.com/news/index/691</link>
            <description>Celebrate the holidays with great deals on ANTI releases!  This week, &lt;a href=&quot;http://www.amazon.com/gp/browse.html?node=2233633011&quot;&gt;Amazon.com&lt;/a&gt; is offering a series of Lightning Deals, featuring Neko Case &lt;i&gt;Middle Cyclone&lt;/i&gt;, The Swell Season &lt;i&gt;Strict Joy&lt;/i&gt;, Tom Waits &lt;i&gt;Glitter and Doom Live&lt;/i&gt; Booker T. &lt;i&gt;Potato Hole&lt;/i&gt;, Mavis Staples &lt;i&gt;Live: Hope At The Hideout&lt;/i&gt; and Ramblin&apos; Jack Elliott &lt;i&gt;A Stranger Here&lt;/i&gt;.  &lt;a href=&quot;http://www.amazon.com/gp/browse.html?node=2233633011&quot;&gt;Click here&lt;/a&gt; to check out all the deals!&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Thursday, December 17th&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;2pm - 3pm PST&lt;/b&gt;&lt;br /&gt;
The Swell Season - &lt;i&gt;Strict Joy&lt;/i&gt; (Limited Deluxe Version)&lt;br /&gt;
Neko Case - &lt;i&gt;Middle Cyclone&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Friday, December 18th&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;9am - 12pm PST&lt;/b&gt;&lt;br /&gt;
Tom Waits - &lt;i&gt;Glitter and Doom Live&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;3pm - 6pm PST&lt;/b&gt;&lt;br /&gt;
Booker T - &lt;i&gt;Potato Hole&lt;/i&gt;&lt;br /&gt;
Mavis Staples - &lt;i&gt;Live: Hope At The Hideout&lt;/i&gt;&lt;br /&gt;
Ramblin&apos; Jack Elliott - &lt;i&gt;A Stranger Here&lt;/i&gt;</description>
            <pubDate>Tue, 15 Dec 2009 00:12:00 -0800</pubDate>
            <guid>http://www.anti.com/news/index/691</guid>
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            <title>Anti- Records Artists Nominated For Six Grammy Awards!</title>
            <link>http://www.anti.com/news/index/685</link>
            <description>Capping off an already incredible year for the Anti- Records family, the 52nd Annual Grammy Awards nominees have just been announced and it seems several esteemed Anti- artists have been nominated for a total of six separate awards. We here at Anti-Epitaph would like to extend sincere and extraordinarily enthusiastic congratulations to Neko Case, Booker T. Jones, Ramblin’ Jack Elliott and Mavis Staples for being so deservedly honored by their peers in the music industry. &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Anti- Records 2009 Grammy Nominees:&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Best Contemporary Folk Album (Vocal or Instrumental.) &lt;i&gt;Middle Cyclone&lt;/i&gt;, Neko Case&lt;br /&gt;
&lt;br /&gt;
Best Rock Instrumental Performance – “Warped Sister” from &lt;i&gt;Potato Hole,&lt;/i&gt; Booker T. Jones&lt;br /&gt;
&lt;br /&gt;
Best Pop Instrumental Album- (For albums containing 51% or more playing time of INSTRUMENTAL tracks.) &lt;i&gt;Potato Hole,&lt;/i&gt; Booker T. Jones&lt;br /&gt;
&lt;br /&gt;
Best Traditional Blues Album (Vocal or Instrumental) &lt;i&gt;A Stranger Here,&lt;/i&gt; Ramblin&apos; Jack Elliott&lt;br /&gt;
  &lt;br /&gt;
Best Contemporary Blues Album (Vocal or Instrumental.) &lt;i&gt;Live: Hope At The Hideout,&lt;/i&gt; Mavis Staples&lt;br /&gt;
&lt;br /&gt;
Best Recording Package, &lt;i&gt;Middle Cyclone,&lt;/i&gt; Neko Case &amp; Judge, art directors (Neko Case)&lt;br /&gt;
&lt;br /&gt;
*The 52nd Annual Grammy Awards show will occur on January 31 at the Staples Center in Los Angeles.</description>
            <pubDate>Thu, 03 Dec 2009 00:12:00 -0800</pubDate>
            <guid>http://www.anti.com/news/index/685</guid>
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            <title>Ramblin&apos; Jack Elliott&apos;s Latest Album Debuts on Billboard Charts</title>
            <link>http://www.anti.com/news/index/619</link>
            <description>Ramblin&apos; Jack Elliott&apos;s Latest Album A Stranger Here &lt;br /&gt;
&quot;Another Career Record&quot; (Wall Street Journal) &lt;br /&gt;
Debuts on Billboard Charts at #5 (Blues Albums) &lt;br /&gt;
&lt;br /&gt;
A Stranger Here Tied with Leonard Cohen&apos;s Live In London &lt;br /&gt;
as Highest Scored Album on Metacritic &lt;br /&gt;
&lt;br /&gt;
At 77, Ramblin&apos; Jack Elliott is still up for firsts.  After all, the musician, called &quot;king of the folk singers&quot; by Bob Dylan, didn&apos;t win his first Grammy until 1995 and was awarded the National Medal of Arts at the age of 68.  Now his latest release, A Stranger Here, marks his first Billboard chart appearance, coming in at #5 on the Blues album chart and the album holds the top spot as the highest ranked current release (tied with Leonard Cohen&apos;s Live In London) on the review aggregator Metacritic.com &lt;http://www.metacritic.com/music/artists/ramblinjackelliott/strangerhere?q=RAMBLIN%27%20JACK&gt; . &lt;br /&gt;
&lt;br /&gt;
After a series of sold-out shows on the West coast, Ramblin&apos; Jack is packing up his guitar and heading back east for a series of headlining appearances and a rare performance alongside the likes of Bruce Springsteen, Dave Mattews and John Mellencamp as the friends gather to honor the 90th birthday of that other living legend Pete Seeger at Madison Square Garden on May 3rd.&lt;br /&gt;
&lt;br /&gt;
A Stranger Here, Ramblin&apos; Jack&apos;s second for ANTI- Records, is a collection of Depression-era blues classics arranged and produced by Joe Henry (Solomon Burke, Elvis Costello/Allan Toussaint ).  Featuring superstar players that range from David Hidaglo of Los Lobos fame on guitar to Van Dyke Parks on piano, A Stranger Here is uncannily prescient, as songs first written and recorded during the Great Depression resonate loudly in today&apos;s uncertain economic climate.  But sung in the warm and weathered tones of Ramblin&apos; Jack&apos;s generous voice, the songs are more compassionate than ominous, a gentle reminder that surviving hardships is just a matter of keeping one&apos;s head down and spirits up.&lt;br /&gt;
&lt;br /&gt;
Praise for A Stanger Here:&lt;br /&gt;
• &quot;This is not so much a reinvention as another way to look deep into the heart of Elliott&apos;s music. It&apos;s also an early nominee for folk album of the year. &quot; – Boston Phoenix&lt;br /&gt;
• &quot;Another &quot;career record,&quot; likely to be added to the Jack Elliott titles that have lasted decades.&quot;  - Wall Street Journal&lt;br /&gt;
• &quot;These dark, old blues tracks have never sounded more haunting.&quot;  - NME&lt;br /&gt;
• &quot;Elliott brings a seen-it-all authenticity to this repertoire while Joe Henry&apos;s sympathetic production is pitch perfect. &quot; – Billboard&lt;br /&gt;
&lt;br /&gt;
Ramblin&apos; Jack Elliott on tour:&lt;br /&gt;
May 2 – Kent Stages, Kent OH&lt;br /&gt;
May 3 – Madison Square Garden, New York City NY&lt;br /&gt;
May 7 – Regatta Bar, Cambridge MA&lt;br /&gt;
May 13 – Highline Ballroom, New York City, NY&lt;br /&gt;
May 15 – The Turning Point, Piermont NY&lt;br /&gt;
May 17 – Sellersville Theater, Sellersville, Pa.&lt;br /&gt;
May 22 -  The Arc, Ann Arbor , Michigan</description>
            <pubDate>Tue, 28 Apr 2009 00:04:00 -0700</pubDate>
            <guid>http://www.anti.com/news/index/619</guid>
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            <title>Ramblin&apos; Jack Elliott Joins Bruce Springsteen, Dave Matthews &amp; More to Honor Pete Seeger</title>
            <link>http://www.anti.com/news/index/610</link>
            <description>Ramblin&apos; Jack Elliott Joins Bruce Springsteen, Dave Matthews &amp; More to Honor Pete Seeger&apos;s 90th, Headlines Select Shows on Both Coasts&lt;br /&gt;
&lt;br /&gt;
A Stranger Here – Elliott&apos;s Interpretation of Depression-Era Blues, &quot;His Masterpiece&quot; (Amazon) – out April 7&lt;br /&gt;
&lt;br /&gt;
Ramblin&apos; Jack Elliott is among dozens of musicians – including Bruce Springsteen, Eddie Vedder, John Mellencamp and more – who will gather at Madison Square Garden on May 3rd to celebrate American folk legend Pete Seeger&apos;s 90th birthday.  Labelmates Billy Bragg and Michael Franti are also scheduled to appear.&lt;br /&gt;
&lt;br /&gt;
Later that month, Ramblin&apos; Jack will revisit neighborhoods he used to frequent with the likes of Jack Kerouac and Bob Dylan in the 1950s and ‘60s when he plays a special show at the Highline Ballroom in New York City on May 13th.  Other east and west coast dates listed below.&lt;br /&gt;
&lt;br /&gt;
The 77 year old Elliott is making a number of select appearances in support of his upcoming release A Stranger Here, available April 7th on ANTI- Records.  Produced by Joe Henry (Bettye LaVette, Solomon Burke, Elvis Costello/Allen Toussaint), A Stranger Here is a collection of carefully chosen pre-WWII blues songs, re-crafted with backing by legendary Los Angeles session musicians such as Van Dyke Parks and David Hidalgo and re-imagined with Elliott&apos;s world-scarred voice.  The resulting effort is receiving absolute acclaim from critics:&lt;br /&gt;
&lt;br /&gt;
• &quot;Both beautiful and brave in its purity&quot;  -Filter&lt;br /&gt;
&lt;br /&gt;
• &quot;Elliott has made his masterpiece, an album at once elegiac and defiant, that can stand beside great late career recordings by master singers like Billie Holiday and Frank Sinatra.&quot;  -Amazon.com&lt;br /&gt;
&lt;br /&gt;
• &quot;Elliott&apos;s singing is scruffy, weathered and wry... it feels different, but it also feels right&quot;  -Performing Songwriter&lt;br /&gt;
&lt;br /&gt;
• &quot;The songs contained on A Stranger Here average over seventy years old, but given the current state of the American economy, they still resonate today. The album is a welcome addition to his catalogue and legacy.&quot; –Blogcritics.org&lt;br /&gt;
&lt;br /&gt;
The first song from A Stranger Here – &quot;Richland Women Blues&quot; recorded by Mississippi John Hurt in the 1920s – can be heard here.&lt;br /&gt;
&lt;br /&gt;
April 16 – Acoustic Music, San Diego CA&lt;br /&gt;
April 17 – McCabe&apos;s, Los Angeles CA&lt;br /&gt;
May 2 – Kent Stages, Kent OH&lt;br /&gt;
May 3 – Madison Square Garden, New York City NY&lt;br /&gt;
May 7 – Regatta Bar, Cambridge MA&lt;br /&gt;
May 13 – Highline Ballroom, New York City, NY&lt;br /&gt;
May 15 – The Turning Point, Piermont NY</description>
            <pubDate>Mon, 30 Mar 2009 00:03:00 -0700</pubDate>
            <guid>http://www.anti.com/news/index/610</guid>
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            <title>RAMBLIN&apos; JACK ELLIOTT TO RELEASE A STRANGER HERE APRIL 7 2009</title>
            <link>http://www.anti.com/news/index/575</link>
            <description>Legendary Troubadour Explores Depression-Era Blues Classics with Producer Joe Henry&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Ramblin&apos; Jack Elliott&lt;/b&gt; will release his long-anticipated follow-up to his 2006 ANTI- Record debut I Stand Alone on April 7th 2009, entitled &lt;b&gt;&lt;i&gt;A Stranger Here&lt;/i&gt;&lt;/b&gt;.  Working with producer Joe Henry (Bettye LaVette, Solomon Burke, Elvis Costello/Allen Toussaint), the 77 year old Elliott sings and plays acoustic guitar, and is backed by a stellar collection of musicians handpicked by Henry, among them Van Dyke Parks and David Hidalgo (Los Lobos).&lt;br /&gt;
&lt;br /&gt;
Revered for his interpretive take on traditional American music, on &lt;b&gt;&lt;i&gt;A Stranger Here&lt;/i&gt;&lt;/b&gt; Elliott steps out of the country/folk arena that has shaped his legend, 50+ years in the making.  Haunting and evocative landscapes crafted by Henry construct a mood that is enhanced by Elliott&apos;s world-scarred voice.  Together, musician and producer examine a carefully selected number of pre-WWII blues songs in a wholly unique way.  &lt;br /&gt;
&lt;br /&gt;
From the liner notes of &lt;b&gt;&lt;i&gt;A Stranger Here&lt;/i&gt;&lt;/b&gt;, Henry writes:  &quot;I pitched the idea that he interpret country blues music from the Depression era of his birth... songs as dark, funny and strange as is he and the times that produced them, and also ones that still resonate in these turbulent days: songs from the blues masters Jack had known during their latter-day resurgence - and his own ascension - in the early sixties (Son House, Mississippi John Hurt, Rev. Gary Davis); songs that share shape and subject with many folk songs of the same period but speak with a particular poetry to struggle, love, justice and mortality - off-handedly and all at once... I needn&apos;t have pitched so hard. Jack seemed intrigued by the notion from the start, and had no trouble reading the songs as pertinent to him. He pounced on each one as it came up during the four days of recording in my basement studio, gave each a face of suave cunning, and was as unexpectedly arch as Bob Hope might&apos;ve seemed strolling through a Fellini tableau. He&apos;s using an old language but always speaking in the present tense.&quot; &lt;br /&gt;
&lt;br /&gt;
One of the great American musical treasures, Elliott has had a rich and storied life.  As a budding musician, Jack developed his voice under the tutelage of Woodrow Wilson Guthrie, truck hitching across the country off and on for a couple of years with Woody, carrying &quot;only razors and guitars.&quot;  The pair eventually landed in the McCarthy-free enclave of Topanga Canyon CA in the 1950s, where Elliott played for James Dean and later married Dean&apos;s former flame.  On the other coast, Elliott was also a fixture of the Greenwich Village scene, and once spent &quot;three days and a lot of wine&quot; listening to Jack Kerouac read On the Road.  But it is his relationship with a young Bob Dylan that Elliott is perhaps most famous for, though back in the 1960s the up-and-coming Dylan was often mistakenly dubbed the &quot;son of Jack Elliott.&quot;  Today Elliott simply states &quot;Dylan learned from me the same way I learned from Woody.&quot;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;i&gt;A Stranger Here&lt;/i&gt;&lt;/b&gt; promises to be another wonderful tome in the library of Ramblin Jack Elliott, one of the great American storytellers.</description>
            <pubDate>Tue, 16 Dec 2008 00:12:00 -0800</pubDate>
            <guid>http://www.anti.com/news/index/575</guid>
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            <title>ANTI- Records Looks Back at a Stellar 2008 and Hints at 2009 with Free New Sampler</title>
            <link>http://www.anti.com/news/index/566</link>
            <description>&lt;b&gt;Featuring Brand-New Tracks from N.A.S.A, Ramblin Jack Elliott and William Elliott Whitmore&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
ANTI- Records launched its new 08/09 music sampler today on-line via the ANTI- blog and in stores with dozens of participating independent retailers around the country.  In a special promotion running through the holidays, local music retailers will be offering the newest releases from ten of ANTI&apos;s latest and greatest artists for under $10.  With purchase, the buyer will receive a copy of the new ANTI- sampler, or it can be downloaded for free directly from the ANTI- blog.&lt;br /&gt;
&lt;br /&gt;
It is both a look back at a spectacular 2008, which saw releases from artists such as Nick Cave &amp; the Bad Seeds, Jolie Holland and Michael Franti &amp; Spearhead called &quot;career bests,&quot; and a look into the New Year, including the following:&lt;br /&gt;
&lt;br /&gt;
• &lt;b&gt;&quot;Spacious Thoughts&quot; - N.A.S.A (featuring Tom Waits and Kool Keith)&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
From masterminds Squeak E Clean (Sam Spiegel) and DJ Zegon (Ze Gonzales) comes the first track from the highly anticipated debut release The Spirit Of Apollo (out Feb 17 2009).  The record - which pairs indie darlings such as Karen O, Santogold, the Cool Kids and M.I.A, with hip hop stars like Kanye West, Chuck D, KRS-One and Ghostface Killah - takes the &quot;less is more&quot; concept and turns it on its head, layering up to four famous voices over vintage Brazilian funk tracks and turntable wizardry.&lt;br /&gt;
&lt;br /&gt;
• &lt;b&gt;&quot;Old Devils&quot; - William Elliott Whimore&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Iowa&apos;s own son of the soil William Elliott Whitmore premieres his first track off his ANTI- debut Animals in the Dark (out Feb 17 2009).  With the old-soul voice of a master country blues balladeer and a devoted following in the punk, folk and indie rock worlds, Will captures the imagination with his raw, populist songs, seemingly untouched by pop culture.&lt;br /&gt;
&lt;br /&gt;
• &lt;b&gt;&quot;Soul Of A Man&quot; - Ramblin&apos; Jack Elliott&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
He stole James Dean&apos;s girl, listened for two days while Jack Keroac read him On the Road and taught Dylan everything he knew, now Ramblin&apos; Jack Elliott is trying something new:  lending his plaintive drawl to Depression-era blues classics.  Produced by Joe Henry (Elvis Costello, Solomon Burke, Bettye LaVette), the new album also features guest appearances from David Hidalgo (Los Lobos, Tom Waits) and Van Dyke Parks.  Out April 7.&lt;br /&gt;
&lt;br /&gt;
2009 will also see new releases from Neko Case, Bob Mould and the legendary Booker T Jones, of Booker T and the MGs fame.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Anti- Records 08/09 Sampler tracklisting:&lt;/b&gt;&lt;br /&gt;
01. &quot;Mexico City&quot; - Jolie Holland&lt;br /&gt;
02. &quot;Pieces Of You&quot; - Islands&lt;br /&gt;
03. &quot;Say Hey (I Love You)&quot; - Michael Franti &amp; Spearhead&lt;br /&gt;
04. &quot;Whispers&quot; - Lyrics Born&lt;br /&gt;
05. &quot;Freedom Highway&quot; - Mavis Staples&lt;br /&gt;
06. &quot;Big Mistake&quot; - Tim Fite&lt;br /&gt;
07. &quot;Rabbit Habits&quot; - Man Man&lt;br /&gt;
08. &quot;Spacious Thoughts&quot; (feat. Tom Waits &amp; Kook Keith) - N.A.S.A.&lt;br /&gt;
09. &quot;DIG, LAZARUS, DIG!!!&quot; - Nick Cave And The Bad Seeds&lt;br /&gt;
10. &quot;Old Devils&quot; - William Elliott Whitmore&lt;br /&gt;
11. &quot;Freedom&quot; - Billy Bragg&lt;br /&gt;
12. &quot;Real Estate&quot; - Cadence Weapon&lt;br /&gt;
13. &quot;This World As We Know It&quot; - Xavier Rudd&lt;br /&gt;
14. &quot;Very Temporary&quot; - Bob Mould&lt;br /&gt;
15. &quot;Friend For Life&quot; - Ersi Arvizu&lt;br /&gt;
16. &quot;New World&quot; - DeVotchKa&lt;br /&gt;
17. &quot;Soul Of A Man&quot; - Ramblin&apos; Jack Elliott&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Participating retailers:&lt;/b&gt;&lt;br /&gt;
STINKWEEDS - Phoenix, AZ&lt;br /&gt;
Zia - Phoenix, AZ&lt;br /&gt;
BOO BOO RECORDS - San Luis Obispo, CA&lt;br /&gt;
Fingerprints - Long Beach, CA&lt;br /&gt;
Lou&apos;s Records - Encinitas, CA&lt;br /&gt;
M-THEORY - San Diego, CA&lt;br /&gt;
Rasputin - San Francisco, CA&lt;br /&gt;
Rhino/Mad Platter - Claremont, CA&lt;br /&gt;
Salzer&apos;s - Ventura, CA&lt;br /&gt;
Streetlight - San Jose, CA&lt;br /&gt;
Twist and Shout - Denver, CO&lt;br /&gt;
EXILE ON MAIN ST - Branford, CT&lt;br /&gt;
Rainbow Books Music - Newark, DE&lt;br /&gt;
CD Connection - Jacksonville, FL&lt;br /&gt;
Central Square - Santa Rosa, FL&lt;br /&gt;
Park Avenue CD - Orlando, FL&lt;br /&gt;
Uncle Sam&apos;s	Miami Beach, FL&lt;br /&gt;
VINYL FEVER - TAMPA - Tampa, FL&lt;br /&gt;
CRIMINAL RECORDS - Atlanta, GA&lt;br /&gt;
CRIMINAL/AURORA - Atlanta, GA&lt;br /&gt;
Record Exchange - Boise, ID&lt;br /&gt;
Indy CD &amp; Vinyl - Indianapolis, IN&lt;br /&gt;
LANDLOCKED MUSIC - Bloomington, IN&lt;br /&gt;
LUNA MUSIC - Indianapolis, IN&lt;br /&gt;
Kief&apos;s - Lawrence, KS&lt;br /&gt;
CD CENTRAL - Lexington, KY&lt;br /&gt;
earX-tacy - Louisville, KY&lt;br /&gt;
Newbury Comics - Boston, MA&lt;br /&gt;
Bull Moose - Portland, ME&lt;br /&gt;
ROCK-A-BILLYS - Utica, MI&lt;br /&gt;
Electric Fetus - Minneapolis, MN&lt;br /&gt;
VINTAGE VINYL - St Louis, MO&lt;br /&gt;
Schoolkids - Raleigh, NC&lt;br /&gt;
Homer&apos;s - Omaha, NE&lt;br /&gt;
Lakeshore Record - Rochester, NY&lt;br /&gt;
Looney Tunes - West Babylon, NY&lt;br /&gt;
Record Archive - Rochester, NY&lt;br /&gt;
CULTURE CLASH - Toledo, OH&lt;br /&gt;
Finders Records - Bowling Green, OH&lt;br /&gt;
Magnolia Thunderpussy - Columbus, OH&lt;br /&gt;
SHAKE IT - Cincinnati, OH&lt;br /&gt;
Guestroom Records - Norman, OK&lt;br /&gt;
Guestroom Records - OKC, OK&lt;br /&gt;
CD World - Eugene, OR&lt;br /&gt;
JACKPOT RECORDS - Portland, OR&lt;br /&gt;
JACKPOT RECORDS - Portland, OR&lt;br /&gt;
Music Millennium - Portland, OR&lt;br /&gt;
Earshot - Greenville, SC&lt;br /&gt;
52.5 - Charleston, SC&lt;br /&gt;
Disc Exchange - Knoxville, TN&lt;br /&gt;
GRIMEY&apos;S - Nashville, TN&lt;br /&gt;
Cactus - Houston, TX&lt;br /&gt;
END OF AN EAR - Austin, TX&lt;br /&gt;
GOOD RECORDS - Dallas, TX&lt;br /&gt;
Waterloo - Austin, TX&lt;br /&gt;
SLOW TRAIN - Salt Lake City, UT&lt;br /&gt;
Plan 9 - Richmond, VA&lt;br /&gt;
Pure Pop - Burlington, VT&lt;br /&gt;
Easy Street - Seattle, WA&lt;br /&gt;
HOT POOP - Walla Walla, WA&lt;br /&gt;
SONIC BOOM - Seattle, WA&lt;br /&gt;
SONIC BOOM - Seattle, WA&lt;br /&gt;
ATOMIC RECORDS - Milwaukee, WI</description>
            <pubDate>Wed, 12 Nov 2008 00:11:00 -0800</pubDate>
            <guid>http://www.anti.com/news/index/566</guid>
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            <title>Ramblin&apos; Jack Elliott to play in Bob Dylan tribute event</title>
            <link>http://www.anti.com/news/index/217</link>
            <description>A host of incredible artists will come together to play a tribute to Bob Dylan on November 9th, 2006 at Avery Fisher Hall, Lincoln Center. Included is this incredible line-up is Ramblin Jack Elliott, along with Patti Smith, The Roots, Ryan Adams, Cat Power and many, many more.&lt;br /&gt;
&lt;br /&gt;
Event information is available at the link below:&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.musicforyouth.org/bobdylan/&quot; target=&quot;_blank&quot;&gt;The Music of Bob Dylan Event Page&lt;/a&gt;</description>
            <pubDate>Sat, 21 Oct 2006 00:10:00 -0700</pubDate>
            <guid>http://www.anti.com/news/index/217</guid>
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            <title>San Diego Tribune cover Ramblin&apos; Jack Elliott</title>
            <link>http://www.anti.com/news/index/198</link>
            <description>Ramblin&apos; Jack Elliott, the legendary folk singer who passed Woody Guthrie&apos;s legacy on to Bob Dylan, turned 75 Monday. And after decades of watching more driven performers enjoy the success he&apos;s never experienced, now he&apos;s ready to get serious about his career. &lt;br /&gt;
&lt;br /&gt;
I&apos;ve never had that (drive), but I&apos;m starting to get it now, belatedly. I figure, what the hell? I&apos;ve been asleep at the wheel all this time, Elliott said. I&apos;d like to get another motor home so I can travel in comfort, because that was the only time I did enjoy traveling around playing gigs. My motor home burned to the ground two weeks after my wife passed away here (Point Reyes, where he&apos;s lived for 15 years). &lt;br /&gt;
&lt;br /&gt;
Careerwise, he was steadied by a Grammy for the 1996 album Southcoast and a 1999 National Medal of Arts, and his current musical home is Anti-Records, known for harboring punk bands and, at times, country icon Merle Haggard. His new album, the impressive I Stand Alone, finds Elliott going solo when he&apos;s delivering such vintage tunes as Hoagie Carmichael&apos;s Hong Kong Blues and the Carter Family&apos;s Engine 143. &lt;br /&gt;
&lt;br /&gt;
On several songs Elliott is joined by bassist Flea (Red Hot Chili Peppers), drummer DJ Bonebrake (X), accordionist David Hidalgo (Los Lobos) and dobro player Nels Cline, as well as vocalists Lucinda Williams and Corin Tucker (of the soon-to-be-missed Sleater-Kinney). Actually, Elliott was literally alone on those songs, as well. &lt;br /&gt;
&lt;br /&gt;
I&apos;ve never met those people. They were added on in L.A. in the studio. I&apos;ve heard of them, but I&apos;ve never met them face-to-face, Elliott said. The recording business is done in studios and they use mirrors. It&apos;s not a real thing. It&apos;s like movies. &lt;br /&gt;
&lt;br /&gt;
In contrast, The Ballad of Ramblin&apos; Jack, the 2000 movie documentary shot by Elliott&apos;s daughter, Aiyana, is very much the real thing. It depicts the cowboy-intrigued Ramblin&apos; Jack, born Elliott Adnopoz and the son of a Jewish Brooklyn doctor, as he first ran away (at age 14) to join the rodeo, and then, a half-century ago, to London and on to Europe. &lt;br /&gt;
&lt;br /&gt;
Having absorbed the American folk music of Guthrie and Leadbelly, and brandishing an oversized cowboy image, Elliott became an immediate sensation in Britain. Intriguingly, he mirrored that success there earlier this year when he performed at the ultra-hip happening All Tomorrow&apos;s Parties. &lt;br /&gt;
It was amazing. It seems like they&apos;ve been laying in wait for me, Elliott said. They&apos;re all new young people. &lt;br /&gt;
&lt;br /&gt;
After three years of hard traveling in the late 1950s, Elliott returned to New York City. Guthrie was in the hospital, fighting a long battle with the degenerative disease Huntington&apos;s chorea, and Elliot went to visit. And there was Bob Dylan. I didn&apos;t know who he was, had never heard of him. And he&apos;d been hanging out and visiting Woody in the hospital for several months by this time  this was November of &apos;61. &lt;br /&gt;
&lt;br /&gt;
Elliott, whose nickname probably derives less from his travels than his detail-rich, tangent-prone stories, was impressed by the young Dylan. &lt;br /&gt;
&lt;br /&gt;
I was amazed by that kid. And he was, of course, always asking me a lot of questions about different things and, How do you play that, anyway?&apos;  Elliott said. I&apos;d show it to him, I didn&apos;t mind. He was a pleasant person to hang out with. A little strange, a little shy. &lt;br /&gt;
&lt;br /&gt;
ByMikel Toombs</description>
            <pubDate>Wed, 09 Aug 2006 00:08:00 -0700</pubDate>
            <guid>http://www.anti.com/news/index/198</guid>
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