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    <title>The Swell Season Recent News</title>
    <link>http://www.anti.com/rss/news/</link>
    <description>The Swell Season Recent News Headlines</description>
    <language>en-us</language>
    <lastBuildDate>Fri, 10 Feb 2012 12:02:41 -0800</lastBuildDate>
    <webMaster>webmaster@epitaph.com</webMaster>
        
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            <title>The Swell Season Announce Last Minute Show</title>
            <link>http://www.anti.com/news/index/1024</link>
            <description>The Swell Season featuring Glen Hansard and Marketa Irglova will be performing an intimate set at the legendary McCabe’s Guitar Shop on February 12, 2012.   The Swell Season have made a habit of calling McCabe’s home when in the Los Angeles area having performed there a number of times.  This will be the first show the duo has played since October 2010 and their first time back in Los Angeles since headlining a sold out Hollywood Bowl show in July 2010.  At the time the duo were touring in support of &lt;i&gt;Strict Joy&lt;/i&gt; their follow up to the Grammy nominated Once soundtrack.&lt;br /&gt;
 &lt;br /&gt;
While The Swell Season has been relatively quiet over the last year their music and name has not.  The documentary, &lt;i&gt;The Swell Season&lt;/i&gt; debuted at Tribeca Film festival and went on to play at numerous festivals and theaters across the country.  It comes out on DVD on March 13, 2012.  &lt;i&gt;Once The Musical&lt;/i&gt; opened this past winter to rave reviews and quickly sold out its entire three month run at The New York Theatre Workshop. The musical has now moved to Broadway and opens on March 18, 2012 at the Bernard Jacobs Theatre. &lt;br /&gt;
 &lt;br /&gt;
Separately both Marketa and Glen have remained active. Marketa released her debut full length &lt;i&gt;Anar&lt;/i&gt; on Anti Records in fall of 2011 and has toured continually in support of it.  Glen has been busy recording and touring.  He supported Eddie Vedder in summer 2011 and headed to Europe on his own headlining run later that fall.  This coming year is going to prove busy for both of them with further recording projects and touring (see dates below). &lt;br /&gt;
 &lt;br /&gt;
This show quite innocently came together as the two find themselves in Los Angeles for an event with The Academy of Motion Picture Arts and Sciences.  Proceeds from this show will be going to two charities that close friends of Glen and Mar have championed for some time.   The first is the animal shelter, Camp Cocker (http://www.campcocker.com/) and the second is Batonga Foundation (www.batongafoundation.org), which provides secondary education to girls in Africa.  &lt;br /&gt;
 &lt;br /&gt;
For more information on this show, The Swell Season, Glen Hansard or Marketa Irglova please visit&lt;br /&gt;
http://www.theswellseason.com/&lt;br /&gt;
http://marketairglovamusic.com/&lt;br /&gt;
http://www.mccabes.com/&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Upcoming Marketa Irglova Dates&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Feb 8 – Los Angeles, CA                Hotel Café&lt;br /&gt;
Feb 15 – New York, NY                                Joe’s Pub&lt;br /&gt;
Feb 16 – Clinton, NY                      Filus Hall Hamilton College&lt;br /&gt;
Feb 22 – New York, NY                                Joe’s Pub&lt;br /&gt;
 &lt;br /&gt;
&lt;b&gt;Upcoming Glen Hansard Dates&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Apr 11 – Las Vegas, NV                 The Pearl&lt;br /&gt;
Apr 13 – Phoenix, AZ                     Comerica Theater&lt;br /&gt;
Apr 16 – Albuquerque, NM         Kiva Auditorium&lt;br /&gt;
Apr 19 – Tulsa, OK                          Brady Theater&lt;br /&gt;
Apr 22 – Houston, TX                    Jones Hall for the Performing Arts&lt;br /&gt;
Apr 25 – San Antonio, TX            Lila Cockrell Theater&lt;br /&gt;
Apr 27 – Austin, TX                        Bass Concert Hall&lt;br /&gt;
Apr 30 – Dallas, TX                         The Music Hall at Fair Park&lt;br /&gt;
May 3 – New Orleans, LA            Jazz and Heritage Festival&lt;br /&gt;
May 8 – Jacksonville, FL              Moran Theater&lt;br /&gt;
May 10 – Clearwater, FL              Ruth Eckerd Hall&lt;br /&gt;
May 13 – Ft. Lauderdale, FL       Broward Center for the Performing Arts&lt;br /&gt;
May 16 – Orlando, FL                    Bob Carr Performing Arts Center&lt;br /&gt;
(all dates opening for Eddie Vedder)</description>
            <pubDate>Thu, 26 Jan 2012 00:01:00 -0800</pubDate>
            <guid>http://www.anti.com/news/index/1024</guid>
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            <title>Sixteen ANTI Artists Participate In &apos;Raise Your Voice!,&apos; A Free Album In Support Of Public Broadcast</title>
            <link>http://www.anti.com/news/index/949</link>
            <description>170 Million Americans for Public Broadcasting and ANTI- Records are pleased to announce the release of &lt;i&gt;Raise Your Voice!&lt;/i&gt;, a 16-track compilation of music from ANTI- artists being offered as a free download to advocates for public broadcasting. Anyone who signs up to join the campaign can download the compilation -- available for a limited time only -- by visiting &lt;a href=&quot;http://170millionamericans.org/ryvoice/&quot;&gt;RYVoice.org&lt;/a&gt;. Supporters will also have the opportunity to share Raise Your Voice! with their friends and social networks.&lt;br /&gt;
 &lt;br /&gt;
Artists contributing tracks to Raise Your Voice! include Wilco, Tom Waits, Neko Case, Booker T. Jones, Man Man, Dr. Dog, Mavis Staples, Jolie Holland, William Elliott Whitmore, Tinariwen, Lost In The Trees, Sean Rowe, Marketa Irglova, Joe Henry, The Swell Season and DeVotchKa&lt;br /&gt;
 &lt;br /&gt;
Public broadcasting offers millions of hours of free music, arts and cultural programming to American audiences, thanks in part to federal funding. From national music programs such as public television’s &lt;i&gt;Austin City Limits&lt;/i&gt; and public radio’s &lt;i&gt;Mountain Stage&lt;/i&gt; to the diverse local programming on public radio music stations throughout the country, public broadcasting is a vital part of our nation’s musical landscape. &lt;br /&gt;
 &lt;br /&gt;
Public radio preserves American culture and is one of the only places left where uniquely American music -- jazz, rock, bluegrass and classical -- can be heard by a mass audience. Public radio stations around the country play an important role in the music economy and have created a valuable partnership that connects audiences to music, and all those who devote their lives to it—performers, singer-songwriters, musicians, lyricists and composers. More than 100 local public radio stations broadcast full-time music and hundreds more include music as part of their programming lineups.&lt;br /&gt;
 &lt;br /&gt;
While the average station gets the majority of its funding from listeners, underwriters and other local sources, federal funding helps close the gap and keep many small and rural stations on the air. Without federal funding these stations could go dark and the platform that they’ve provided for so many musicians could go with it.&lt;br /&gt;
 &lt;br /&gt;
“We are thrilled to offer &lt;i&gt;Raise Your Voice!&lt;/i&gt; to our advocates,” said Jeff Nelson, co-director , 170 Million Americans for Public Broadcasting. “It is critical that we raise awareness about the importance of public broadcasting to music in America as we make our case to Congress to maintain federal funding for local stations across the country. We are grateful to ANTI- and these fantastic artists for their generosity and for standing up in support for public broadcasting.”  &lt;br /&gt;
 &lt;br /&gt;
Ari Picker, frontman for ANTI- band Lost in the Trees added, “Our culture needs public broadcasting. And public radio has been an enormous resource for musicians like myself. I feel extremely privileged to donate our music to &lt;i&gt;Raise Your Voice!&lt;/i&gt; to boost awareness about the need to protect public broadcasting in America.”&lt;br /&gt;
 &lt;br /&gt;
The website for &lt;i&gt;Raise Your Voice!&lt;/i&gt; was created by Oniracom, a Santa Barbara-based audience marketing agency for music and entertainment.&lt;br /&gt;
 &lt;br /&gt;
&lt;b&gt;About 170 Million Americans for Public Broadcasting&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
The 170 Million Americans for Public Broadcasting campaign is a collaboration of public radio and television stations, national organizations, producers, viewers and listeners throughout the country who understand the critical need for a strong public media in the United States.  The campaign is co-managed by the Association of Public Television Stations and American Public Media on behalf of more than 400 station partners. The centerpieces of the effort are its website, 170MillionAmericans.org, Facebook page, Facebook.com/170Million, and Twitter feed at http://twitter.com/#!/170million,that give supporters of public media a way to take action in support of their local public radio and television stations.&lt;br /&gt;
 &lt;br /&gt;
&lt;b&gt;About ANTI-Records&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Epitaph Records was founded in 1981 by Brett Gurewitz of the influential punk rock band Bad Religion. This incredibly diverse and resolutely artist friendly label first entered the annals of pop culture in the early 90s when it introduced previously underground artists such as Rancid, The Offspring and Pennywise to a vastly larger audience, earning the bands gold and platinum records, and forever changing the sound of popular music. Epitaph has since added additional imprint ANTI-Records, which has developed into an independent power house servicing a roster of acclaimed and iconic artists such as Tom Waits, Nick Cave, Neko Case, Mavis Staples and many more. Epitaph Records currently operates out of offices in Los Angeles, Canada, Melbourne and the Netherlands.</description>
            <pubDate>Wed, 03 Aug 2011 00:08:00 -0700</pubDate>
            <guid>http://www.anti.com/news/index/949</guid>
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            <title>Anti Records 2010 Spring Compilation Available Now</title>
            <link>http://www.anti.com/news/index/738</link>
            <description>Think of this as a mix tape, like one of those cassettes you sweated over in college to slip to that special someone in your Mass Communications class.  That batch of songs that was uniquely you, that would open your murky soul to the broad light of day, and let all see how complex and tortured you really were.  These 15 songs unveil the murky soul of ANTI- Records to an unsuspecting and largely unprepared public (just like that college mixtape), and it turns out to be darker and danker than anyone suspected. &lt;br /&gt;
 &lt;br /&gt;
Take Roky Erickson, an artist who has done his own share of soul searching, recording with Okkervil River, and his contribution &quot;Goodbye Sweet Dreams&quot; - a haunted cry from the heart, with Roky repeating the lines over and over like some obsessed anti-hero from Dostoevsky.  Then there&apos;s Bettye LaVette&apos;s searing reading of the Rolling Stones&apos; &quot;Salt of the Earth,&quot; peering in at the grimy window of the &quot;stay-at-home voter&quot; and the rest of the downtrodden, in lyrics that sound more current today than they did in 1969.  New signing Lost In the Trees, musical savants from North Carolina, wrap the saddest story you&apos;ve ever heard in aching melody and surging strings, everything you&apos;d hope for in a song titled &quot;All Alone In an Empty House.&quot;  And house dissident Sage Francis offers &quot;Slow Man,&quot; with music written for Sage by Calexico - a meditation on the artist&apos;s belief that &quot;there&apos;s no shame in being a dinosaur with an analog heart, a strained spirit and a photo-book filled with senior moments.&quot; &lt;br /&gt;
&lt;br /&gt;
These four songs aren&apos;t available elsewhere; they are glimpses at farm-fresh, still-in-the-crate, upcoming releases.  And the rest of the tracks are all from brand new or recent releases, from our larger stable of ANTI- heroes .  How can we do it, you ask?  We can get away with the low price of $2.99 because these celebrated artists and this benevolent record company have agreed not to make a profit on this venture. We (and they) feel it&apos;s more important that these samples of musical joy be heard.  Just don&apos;t bring any of this up around our accountants. &lt;br /&gt;
&lt;br /&gt;
Get it on &lt;a href=&quot;http://itunes.apple.com/us/album/anti-2010-spring-compilation/id363516682&quot;&gt;iTunes&lt;/a&gt; today!&lt;br /&gt;
&lt;br /&gt;
1. &lt;b&gt;Dr. Dog&lt;/b&gt; - &quot;Stranger&quot; from the album &lt;i&gt;Shame, Shame&lt;/i&gt;&lt;br /&gt;
2. &lt;b&gt;Tom Waits&lt;/b&gt; - &quot;Fannin Street&quot; from the album &lt;i&gt;Glitter &amp; Doom Live&lt;/i&gt;&lt;br /&gt;
3. &lt;b&gt;Mose Allison&lt;/b&gt; - &quot;My Brain&quot; from the album &lt;i&gt;The Way Of The World&lt;/i&gt;&lt;br /&gt;
4. &lt;b&gt;Bettye LaVette&lt;/b&gt; - &quot;Salt Of The Earth&quot; from the album &lt;i&gt;Interpretations: The British Rock Songbook&lt;/i&gt;&lt;br /&gt;
5. &lt;b&gt;Roky Erickson&lt;/b&gt; - &quot;Goodbye Sweet Dreams&quot; from the album &lt;i&gt;True Love Cast Out All Evil&lt;/i&gt;&lt;br /&gt;
6. &lt;b&gt;Lost In The Trees&lt;/b&gt; - &quot;All Alone in an Empty House&quot; from the album &lt;i&gt;All Alone in an Empty House&lt;/i&gt;&lt;br /&gt;
7. &lt;b&gt;Sage Francis&lt;/b&gt; - &quot;Slow Man&quot; from the album &lt;i&gt;Li(f)e&lt;/i&gt;&lt;br /&gt;
8. &lt;b&gt;Galactic&lt;/b&gt; - &quot;Heart Of Steel&quot; from the album &lt;i&gt;YA-KA-MAY&lt;/i&gt; &lt;br /&gt;
9. &lt;b&gt;The Swell Season&lt;/b&gt; - &quot;Feeling The Pull&quot; from the album &lt;i&gt;Strict Joy&lt;/i&gt;&lt;br /&gt;
10. &lt;b&gt;The Weakerthans&lt;/b&gt; - &quot;Benediction&quot; from the album &lt;i&gt;Live At The Burton Cummings Theatre&lt;/i&gt;&lt;br /&gt;
11. &lt;b&gt;Alec Ounsworth&lt;/b&gt; - &quot;Holy, Holy, Holy Moses (song for New Orleans)&quot; from the album &lt;i&gt;Mo Beauty&lt;/i&gt;&lt;br /&gt;
12. &lt;b&gt;Islands&lt;/b&gt; - &quot;Tender Torture&quot; from the album &lt;i&gt;Vapours&lt;/i&gt; &lt;br /&gt;
13. &lt;b&gt;Dead Man&apos;s Bones&lt;/b&gt; - &quot;Pa Pa Power&quot; from the album &lt;i&gt;Dead Man&apos;s Bones&lt;/i&gt;&lt;br /&gt;
14. &lt;b&gt;Rain Machine&lt;/b&gt; - &quot;Give Blood&quot; from the album &lt;i&gt;Rain Machine&lt;/i&gt; &lt;br /&gt;
15. &lt;b&gt;Joe Henry&lt;/b&gt; - &quot;Death To The Storm&quot; from the album &lt;i&gt;Blood From Stars&lt;/i&gt;</description>
            <pubDate>Fri, 09 Apr 2010 00:04:00 -0700</pubDate>
            <guid>http://www.anti.com/news/index/738</guid>
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            <title>Anti Records Reviews An Exceptional 2009</title>
            <link>http://www.anti.com/news/index/692</link>
            <description>&lt;center&gt;&lt;b&gt;Legendary Artists, A Breakout Album for Neko Case,  A Triumphant And Soulful Offering From The Swell Season, Six Grammy Nods for Anti Artists, Tom Waits Live Album and Much More&lt;/b&gt;&lt;/center&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;William Elliott Whitmore: &lt;i&gt;Animals in the Dark&lt;/i&gt;&lt;/b&gt; - On his Anti debut Whitmore reflects on life and loss and the world surrounding his Iowa horse farm on the banks of the Mississippi. The album showcases Whitmore’s classic songwriting and mastery of the acoustic guitar and banjo, but adds elements such as strings, an organ and a pedal steel, giving the songs a more expansive, cultivated sound. 2009 saw this unique artist captivating audiences around the world with his haunting and timeless sound.&lt;br /&gt;
&lt;br /&gt;
&quot;&lt;i&gt;Animals&lt;/i&gt; reinforces his reputation as one of today&apos;s most transcendent folk artists.&quot; - &lt;b&gt;Kansas City Star&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&quot;There&apos;s a time-honored truthfullness to William Elliott Whitmore that can&apos;t be rehearsed and most certainly can&apos;t be faked. It&apos;s tonally apparent in the world-weary ache of his baritone voice; it&apos;s lyrically manifested in the god-fearing mannerisms of simple protagonists; and it&apos;s buried deep within the gutsy pride and righteous integrity with which the Americana singer confronts issues of moral wrongs, institutional control, and fundamental rights throughout &lt;i&gt;Animals in the Dark&lt;/i&gt;.&quot; - &lt;b&gt;The Absolute Sound&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;NASA: &lt;i&gt;The Spirit of Apollo&lt;/i&gt;&lt;/b&gt; - A joyfully sometimes surreal musical expedition overflowing with inspired collaborations -Tom Waits growls over Kool Keith, Karen O taunts while Ol&apos; Dirty Bastard gives shout-outs to Wu Tang and N.A.S.A from the grave, and David Byrne, Chuck D and others expound on the evils of &quot;Money.&quot; In spite of the range of performers, the pairings make perfect sense. Live the band features dancing aliens which is always a plus.&lt;br /&gt;
&lt;br /&gt;
“&lt;i&gt;The Spirit of Apollo&lt;/i&gt; is what happens when the imagination is let out of its cage. Good things happen.” – &lt;b&gt;Urb&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
N.A.S.A.&apos;s dope beats and wet-dream collaborations make &lt;i&gt;Apollo&lt;/i&gt; an absolute must-have. - &lt;b&gt;Alternative Press&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Neko Case: &lt;i&gt;Middle Cyclone&lt;/i&gt;&lt;/b&gt; – A stunning album by one of the preeminent songwriters and performers today. This is the record that finally transported Case from heroine of the underground into a deservedly larger spotlight. A riveting tour de force which has already graced many best of polls including those of Spin, Pitchfork and the top position on Amazon’s “Best Music of 2009” list. The album has also received Two Grammy nominations for “Best Contemporary Folk Album” and “Best Recording Package” (for the striking album cover) &lt;br /&gt;
&lt;br /&gt;
“Case has one of the most powerful sets of pipes in pop” - &lt;b&gt;Rolling Stone&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“Neko Case’s songs are full of claws, wolves, tornadoes, birds of prey and the occasional gust of wind.  But her voice is the real force of nature.” – &lt;b&gt;New York Times Magazine&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Ramblin’ Jack Elliott: &lt;i&gt;A Stranger Here&lt;/i&gt;&lt;/b&gt; - The renowned troubadour steps out of the country/folk arena that has shaped his legend and examines pre-WWII blues songs in a wholly unique way. &lt;i&gt;A Stranger Here&lt;/i&gt; proves another wonderful tome in the library of one of the great American storytellers. The album has been nominated for a Grammy in the category of “Best Traditional Blues Album” and has garnered the album’s esteemed producer Joe Henry a nomination in the “Best Traditional Blues Album” category.&lt;br /&gt;
&lt;br /&gt;
“Ramblin’ Jack Elliott is, along with Pete Seeger, one of America’s finest living folk singers. Seeing him play is a treat, but hearing him tell long, meandering stories — he didn’t get that nickname for nothing — is transformative.” - &lt;b&gt;New York Times&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“Both beautiful and brave in its purity&quot; - &lt;b&gt;Performing Songwriter&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Bob Mould: &lt;i&gt;Life and Times&lt;/i&gt;&lt;/b&gt; - A cathartic and vital album by an influential artist marks the respective anniversaries of the formation of Husker Du and Mould’s lauded solo effort &lt;i&gt;Workbook&lt;/i&gt; with an album of unflinching self-reflection. Standouts like &quot;Wasted World&quot; and &quot;I&apos;m Sorry Baby, But You Can&apos;t Stand In My Light Anymore&quot; highlight an artist completing a cycle decades in the making, his talent undiminished, his perspective acute.&lt;br /&gt;
&lt;br /&gt;
&quot;Passion, beauty, intelligence, grace: it&apos;s all here.&quot; – &lt;b&gt;Filter&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&quot;This newest collection is moody and minimalist, and it showcases Mould’s introspective side. The most compelling songs evoke the speed, energy, and passionate commitment that justly made Mould an icon.&quot; - &lt;b&gt;New Yorker&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Jason Lytle: &lt;i&gt;Yours Truly, The Commuter&lt;/i&gt;&lt;/b&gt; - Two years after Grandaddy&apos;s demise, Lytle returns with an immaculately crafted pop soundscape that mirrors both the dramatic environment of Lytle&apos;s newly-adopted Montana and the vintage twang of the Central California farmland that inspired hiss earlier work. Electronic flourishes collide with acoustic guitars and soulful piano parts, perfectly recreating Lytle’s signature lo-fi-electro atmospheres. &lt;br /&gt;
&lt;br /&gt;
“A richly textured work that is lovingly crafted and affectingly poignant.&quot; - &lt;b&gt;Alternative Press&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“A textured homage to the lush and laid-back West Coast dream life of his youth…it’s like Bruce Springsteen’s open highway finally reached a melancholy kid from Modesto.”  - &lt;b&gt;Spin&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Booker T: &lt;i&gt;Potato Hole&lt;/i&gt;&lt;/b&gt; – The trailblazing soul man has written the most audacious chapter of his career with his first solo album in decades. Backed by the Drive-By Truckers with Booker&apos;s signature Hammond B3, the album bristles with energy and heart. The album has earned a Grammy nomination for Jones in the category of “Best Pop Instrumental Album.”&lt;br /&gt;
&lt;br /&gt;
“There are no chart-baiting superstar guest vocalists or gimmicks, just gut-punching, funky, loose-limbed, rock &apos;n&apos; soul jams recorded in down-and-dirty sessions without an inch of fat.” - &lt;b&gt;Boston Globe&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“&lt;i&gt;Potato Hole&lt;/i&gt; proves as extraordinary, delirious and laugh-out-loud weird as anyone might dare hope.” – &lt;b&gt;Uncut&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;The Field: &lt;i&gt;Yesterday &amp; Today&lt;/i&gt;&lt;/b&gt; - The innovative sound artist expands his ever transfixing audio palette, continuing the oblique sampling strategy of his critically praised “From Here We Go Sublime” while building up the rhythmic architecture to startling new heights.&lt;br /&gt;
&lt;br /&gt;
“Full of driving, dirty beats, crisp bells and hats that delicately pepper the high end, this sonic treasure offers plenty of infectious grooves.” - &lt;b&gt;DJ Times&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“&lt;i&gt;Yesterday &amp; Today&lt;/i&gt; is gorgeous, overwhelming, lush and (mainly) wordless, and it reeks throughout of inarticulable emotion.” - &lt;b&gt;Prefix Magazine&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Bettye LaVette: &lt;i&gt;Change is Gonna Come Sessions&lt;/i&gt;&lt;/b&gt; – The soul singer extraordinaire revisits her forgotten post-Atlantic Records years as a nightclub singer and Broadway performer with a mix of classics including a heart wrenching rendition of Billie Holiday&apos;s &quot;God Bless The Child&quot; and an acclaimed version of Sam Cooke&apos;s &quot;A Change Is Gonna Come,&quot; which LaVette performed at the Obama Inaugural Celebration.&lt;br /&gt;
&lt;br /&gt;
&quot;There&apos;s no one more soulful than Bettye LaVette…Bettye makes great music now because of her obstacles. She has a fire in her belly and a passion that was never squashed over the years...you just hear it and feel it in everything she sings.&quot; - &lt;b&gt;CNN.com&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
 “a compelling and intimate set of songs that adroitly combine a smoky jazz club, Saturday night rent party and Sunday morning church service. “ - &lt;b&gt;Creative Loafing&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Busdriver: &lt;i&gt;Jhelli Beam&lt;/i&gt;&lt;/b&gt; – The art rap progenitor returns to jolt rap back into shape with virtuoso vocal stylings and poignant (and at times dadaist) lyricism. This record not only effortlessly trumps all previous mind-bending performances of his earlier works, but gives them new context; highlighting their dexterity with nuggets of election year paranoia and absurdist humor. &lt;br /&gt;
&lt;br /&gt;
&quot;Everything on &lt;i&gt;Jhelli Beam&lt;/i&gt; makes sense. Every word is a picture. Every sentence pushed over the one before it the way dominos fall when they&apos;re lined up in a row....This is creativity - this is the reason for being: to preceive/ingest, and digest, and poop it out.&quot; - &lt;b&gt;LA Record&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“Busdriver&apos;s crazy, quick verses sprint from inside-out humor to social criticism alongside challenging beats that reward repeated listens. Exciting, odd stuff.&quot; - &lt;b&gt;Chicago Tribune&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Solillaquists of Sound: &lt;i&gt;No More Heroes&lt;/i&gt;&lt;/b&gt; - With this release the Orlando-based hip hop quartet have accomplished the rare feat of creating a body of work that&apos;s as palatable to the public as it is groundbreaking, imaginative, and rewarding to listeners looking for something more in the soundtrack to their lives.&lt;br /&gt;
&lt;br /&gt;
“authentic and raw, blending elements of dubstep, afrobeat, folk, most&lt;br /&gt;
obviously hip-hop, but surprisingly more synth-beats infused in a background of beautiful harmonies.” - &lt;b&gt;7x7 Magazine&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“A lyrically potent, melodic, and danceable piece, make sure to cop one of the best records the year has to offer.” – &lt;b&gt;Sputnikmusic&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Joe Henry: &lt;i&gt;Blood From Stars&lt;/i&gt;&lt;/b&gt; - The revered solo artist and Grammy-winning producer’s music spans many genres but the dominant sound on &lt;i&gt;Blood From Stars&lt;/i&gt; is a rich blues tonality that swells into ravishing epics that jump the rails to incorporate folky jazz and bent Sinatra-esque washes of sampled strings. Henry’s eleventh album is a tour de force of lush arrangements and seductive song lines. The acclaimed musician/producer was also nominated for a Grammy for his work guiding Ramblin Jack Elliott’s release, &lt;i&gt;A Stranger Here&lt;/i&gt;.&lt;br /&gt;
&lt;br /&gt;
&quot;Joe Henry is like that unexpected piece of dark chocolate at the bottom of the ice cream dish: something rich, sweet and so surprisingly good that you wonder how it escaped you before. This album captures a sensuous musicality, whether it&apos;s torch songs or avant-garde and traditional jazz, raw blues or pumped up soul escapades.&quot; – &lt;b&gt;RELIX&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“For connoisseurs of craft, Henry’s writing is an absolute joy, drawing effortlessly on classic pop, roots, and folk traditions and alchemizing these various strains into a single, sweet sound.” – &lt;b&gt;American Way Magazine&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Os Mutantes: &lt;i&gt;Haih or Amortecedor&lt;/i&gt;&lt;/b&gt; - Still psychedelic, influential, political and playful after all these years – the near mythical has crafted triumphant return with their first record in 35 Years. Revered by luminaries such as Kurt Cobain, the Flaming Lips Devendra Banhart and Beck, the Mutantes have delivered one of the most original and enjoyable albums of the year.&lt;br /&gt;
&lt;br /&gt;
&quot;a superb, politically tinged reunion effort....their new songs remain as bold and fascinating as their old ones.&quot; – &lt;b&gt;New Yorker&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&quot;&lt;i&gt;Haih Or Amortecedor&lt;/i&gt; is rhapsodic, an endearing tribute, and a welcome addition, to one of pop music’s strangest group of musicians.&quot; – &lt;b&gt;Popmatters&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Islands: &lt;i&gt;Vapours&lt;/i&gt;&lt;/b&gt; – The ever evolving Montreal outfit returns with an album that flits back and forth between moody synthesizers and drum-machine-heavy beats and an array of intriguing sonic textures, all the while remaining firmly rooted in the classic pop sensibilities and melodic hooks the band is celebrated for. &lt;br /&gt;
&lt;br /&gt;
&quot;infectious and weird....masterful, refreshing synth-pop, served up pure and simple.” – &lt;b&gt;Blackbook&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&quot;one of our favorite albums of the fall. It&apos;s just some lush, pop goodness.&quot; – &lt;b&gt;Paper Magazine&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Rain Machine: &lt;i&gt;Rain Machine&lt;/i&gt;&lt;/b&gt; - Kyp Malone’s solo project features ten unflinchingly original and emotional songs mixing elements of modern jazz, blue-grass and blistering guitar driven rock into a refreshing new sound. As singer and guitarist for celebrated band TV on the Radio, Malone proved himself both a captivating and delightfully unpredictable musical force. On &lt;i&gt;Rain Machine&lt;/i&gt;, he shows himself a singer and a lyricist of startling talents. &lt;br /&gt;
&lt;br /&gt;
“Malone steps out with an emotionally open debut just as experimental and daring as his work with TVOTR.” – &lt;b&gt;USA Today&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“The tunes sound a bit like a rain dance—tribal bells, trance-inflected refrains, the occasional howl—but one that&apos;s been fed through the post-apocalyptic fury of TV On The Radio. The result proves a compelling sonic exploration, knotty and exultant as ever.” – &lt;b&gt;The Onion&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Dead Man’s Bones: &lt;i&gt;Dead Man’s Bones&lt;/i&gt;&lt;/b&gt; - Initially intended as play about a monster-ghost-love-story, Zach Shields and Ryan Gosling eventually scrapped the stage show and recorded &lt;i&gt;Dead Man’s Bones,&lt;/i&gt; a refreshingly original album featuring doo-wop songs about werewolves, haunting melodies telling tales of zombies with broken hearts, and children singing the joys and pains of being alive or being dead.&lt;br /&gt;
&lt;br /&gt;
“Simultaneously sweet and spooky, heart-stirring and imaginative; a wonderful requiem to our forgotten fear of the dark&quot; – &lt;b&gt;LA Weekly&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“A decidedly beautiful thing&quot; – &lt;b&gt;MOJO&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;The Swell Season: &lt;i&gt;Strict Joy&lt;/i&gt;&lt;/b&gt; – The follow up to their Oscar winning “Once” soundtrack, &lt;i&gt;Strict Joy&lt;/i&gt; finds the duo of Glen Hansard and Marketa Irglova evoking the bittersweet aftermath of their real life romance and breakup with an album of stirring folk tinged blue eyed soul.&lt;br /&gt;
&lt;br /&gt;
“a lush, lovely, heartfelt gem.” – &lt;b&gt;NPR&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“&lt;i&gt;Strict Joy&lt;/i&gt; is a joy from start to finish, as few bands manage to mix intimacy and sweeping songcraft with such finesse.” – &lt;b&gt;All Music Guide&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Alec Ounsworth:  &lt;i&gt;Mo’ Beauty&lt;/i&gt;&lt;/b&gt; - a soulful and intriguing solo endeavor from celebrated singer/songwriter Alec Ounsworth of Clap Your Hands Say Yeah. Recorded in music-steeped New Orleans with an all star cast of local talent, the end result is a display of masterful songwriting and arguably Ounsworth’s best work yet. &lt;br /&gt;
&lt;br /&gt;
&quot;Mesmerizing and profound&quot; – &lt;b&gt;The Onion&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&quot;The sharpest arrangements and best songwriting of his short career: Almost every tune on &lt;i&gt;Mo Beauty&lt;/i&gt; equals or betters those on CYHSY&apos;s lauded 2005 debut, mixing spooky folk with frantic fun. Ounsworth&apos;s regular band may have a shaky future, but he doesn&apos;t.&quot; – &lt;b&gt;Spin&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Tom Waits:  &lt;i&gt;Glitter &amp; Doom Live&lt;/i&gt;&lt;/b&gt; – This two disc collection perfectly documents Waits&apos; sold out, acclaimed 2008 “Glitter and Doom” tour. The music disc features Waits&apos; in his eclectic glory shifting seamlessly from an array of characters: carnival barker, preacher, country singer, soul balladeer; cabaret singer and storyteller. Disc Two is a selection of the comic bromides, strange musings, and unusual facts that Waits traditionally shares with his audience during the piano set. &lt;br /&gt;
&lt;br /&gt;
“One of the most charismatic and straightforwardly entertaining live artists you are ever likely to see or hear. (..) Pick disc one for the uninterrupted junkyard blues and bewilderingly tender crooning: choose disc two for trivia and lies dredged from the back pages of the Fortean Times and delivered sans songs with the impeccable timing of a seasoned professional still in love with the stage and his audience.” – &lt;b&gt;Time Out London&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“Equal parts Captain Beefheart and Louis Armstrong as he examines the full spectrum of life, from the grimly grotesque to the sweetly sentimental… It’s an utter delight.” - &lt;b&gt;NME&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
* &lt;b&gt;Mavis Staples: &lt;i&gt;Live: Hope at the Hideout&lt;/i&gt;&lt;/b&gt; - While technically released at the end of 2008, it’s worth mentioning that Mavis’ blistering live album has just earned the legendary soul singer a well deserved Grammy nomination in the category of “Best Contemporary Blues Album.” Mavis was previously awarded a Lifetime Achievement Award at the 2005 Grammys for her collective work with the Staples Singers.</description>
            <pubDate>Wed, 16 Dec 2009 00:12:00 -0800</pubDate>
            <guid>http://www.anti.com/news/index/692</guid>
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            <title>Lightning Deals at Amazon Featuring Tom Waits, Neko Case &amp; The Swell Season</title>
            <link>http://www.anti.com/news/index/691</link>
            <description>Celebrate the holidays with great deals on ANTI releases!  This week, &lt;a href=&quot;http://www.amazon.com/gp/browse.html?node=2233633011&quot;&gt;Amazon.com&lt;/a&gt; is offering a series of Lightning Deals, featuring Neko Case &lt;i&gt;Middle Cyclone&lt;/i&gt;, The Swell Season &lt;i&gt;Strict Joy&lt;/i&gt;, Tom Waits &lt;i&gt;Glitter and Doom Live&lt;/i&gt; Booker T. &lt;i&gt;Potato Hole&lt;/i&gt;, Mavis Staples &lt;i&gt;Live: Hope At The Hideout&lt;/i&gt; and Ramblin&apos; Jack Elliott &lt;i&gt;A Stranger Here&lt;/i&gt;.  &lt;a href=&quot;http://www.amazon.com/gp/browse.html?node=2233633011&quot;&gt;Click here&lt;/a&gt; to check out all the deals!&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Thursday, December 17th&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;2pm - 3pm PST&lt;/b&gt;&lt;br /&gt;
The Swell Season - &lt;i&gt;Strict Joy&lt;/i&gt; (Limited Deluxe Version)&lt;br /&gt;
Neko Case - &lt;i&gt;Middle Cyclone&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Friday, December 18th&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;9am - 12pm PST&lt;/b&gt;&lt;br /&gt;
Tom Waits - &lt;i&gt;Glitter and Doom Live&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;3pm - 6pm PST&lt;/b&gt;&lt;br /&gt;
Booker T - &lt;i&gt;Potato Hole&lt;/i&gt;&lt;br /&gt;
Mavis Staples - &lt;i&gt;Live: Hope At The Hideout&lt;/i&gt;&lt;br /&gt;
Ramblin&apos; Jack Elliott - &lt;i&gt;A Stranger Here&lt;/i&gt;</description>
            <pubDate>Tue, 15 Dec 2009 00:12:00 -0800</pubDate>
            <guid>http://www.anti.com/news/index/691</guid>
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            <title>The Swell Season Perform At AOL Interface</title>
            <link>http://www.anti.com/news/index/689</link>
            <description>The Swell Season stopped by &lt;a href=&quot;http://www.spinner.com/interface/the-swell-season-09&quot;&gt;AOL Interface&lt;/a&gt; for an interview and performed &quot;Low Rising,&quot; &quot;Fantasy Man,&quot; &quot;Feeling The Pull&quot; and &quot;In These Arms&quot; from their new album &lt;i&gt;Strict Joy&lt;/i&gt;.  Watch the performance of &quot;Low Rising&quot; below, then click over to &lt;a href=&quot;http://www.spinner.com/interface/the-swell-season-09&quot;&gt;AOL Interface&lt;/a&gt; to see the rest!&lt;br /&gt;
&lt;br /&gt;
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            <pubDate>Thu, 10 Dec 2009 00:12:00 -0800</pubDate>
            <guid>http://www.anti.com/news/index/689</guid>
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            <title>The Swell Season &apos;Strict Joy&apos; In Stores Now!</title>
            <link>http://www.anti.com/news/index/674</link>
            <description>&lt;a href=&quot;http://www.myspace.com/theswellseason&quot;&gt;The Swell Season&lt;/a&gt;, the Oscar-winning duo of Frames frontman Glen Hansard and Czech ingenue Marketa Irglova, have released their brand new album &lt;i&gt;Strict Joy&lt;/i&gt;, the follow-up to their beloved 2007 film and gold-certified soundtrack &apos;Once.&apos;  The record is available at select independent record stores for $9.99, all Starbucks locations, at Target for $9.99 or online from  &lt;a href=&quot;http://www.amazon.com/Strict-Joy-Deluxe-Edition/dp/B002T2IJX2/ref=sr_shvl_album_2?ie=UTF8&amp;qid=1256666131&amp;sr=301-2&quot;&gt;Amazon&lt;/a&gt;, &lt;a href=&quot;http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=334528009&amp;s=143441&quot;&gt;iTunes&lt;/a&gt; or the &lt;a href=&quot;http://www.kingsroadmerch.com/anti-records/artist/?id=144&quot;&gt;ANTI Store&lt;/a&gt;!&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Strict Joy&lt;/i&gt; is also currently streaming in its entirety at &lt;a href=&quot;http://www.spinner.com/new-releases#/2&quot;&gt;Spinner&lt;/a&gt;.  &lt;a href=&quot;http://www.spinner.com/new-releases#/2&quot;&gt;Click here&lt;/a&gt; to listen!&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;The Swell Season On Tour&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Nov 1 Pabst Theater 	Milwaukee, Wisconsin&lt;br /&gt;
Nov 2 Clowes Memorial Hall 	Indianapolis, Indiana&lt;br /&gt;
Nov 3 Massey Hall 	Toronto&lt;br /&gt;
Nov 4 Olympia de Montreal 	Montreal&lt;br /&gt;
Nov 6 Berklee Performance Centre 	Boston, Massachusetts&lt;br /&gt;
Nov 7 Lupo’s 	Providence, Rhode Island&lt;br /&gt;
Nov 8 Merriam Theater 	Philadelphia, Pennsylvania&lt;br /&gt;
Nov 9 9:30 Club 	Washington DC, Washington DC&lt;br /&gt;
Nov 12 House Of Blues 	New Orleans, Louisiana&lt;br /&gt;
Nov 13 Warehouse 	Houston, Texas&lt;br /&gt;
Nov 14 Palladium Ballroom 	Dallas, Texas&lt;br /&gt;
Nov 15 Paramount Theatre 	Austin, Texas&lt;br /&gt;
Nov 17 Mesa Arts Centre 	Mesa, Arizona&lt;br /&gt;
Nov 18 The Wiltern 	Los Angeles, California&lt;br /&gt;
Nov 19 The Wiltern 	Los Angeles, California&lt;br /&gt;
Nov 20 Paramount Theatre 	Oakland, California&lt;br /&gt;
Nov 22 Paramount Theatre 	Seattle, Washington&lt;br /&gt;
Nov 23 McDonald Theatre 	Eugene, Oregon&lt;br /&gt;
Nov 24 Crystal Ballroom 	Portland, Oregon&lt;br /&gt;
Nov 25 The Center 	Vancouver&lt;br /&gt;
Nov 27 The Egyptian Theatre 	Boise, Idaho&lt;br /&gt;
Nov 28 Jeanne Wagner Theatre 	Salt Lake City, Utah&lt;br /&gt;
Nov 29 Ogden Theatre 	Denver, Colorado&lt;br /&gt;
Nov 30 Uptown Theatre 	Kansas City&lt;br /&gt;
Dec 2 Michigan Theatre 	Ann Arbor, Michigan&lt;br /&gt;
Dec 3 Auditorium Theater 	Chicago, Illinois&lt;br /&gt;
Dec 4 The Pageant 	St. Louis&lt;br /&gt;
Dec 5 State Theatre 	Minneapolis</description>
            <pubDate>Tue, 27 Oct 2009 00:10:00 -0700</pubDate>
            <guid>http://www.anti.com/news/index/674</guid>
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            <title>The Swell Season &quot;Feeling The Pull&quot; Is NPR&apos;s Song of the Day</title>
            <link>http://www.anti.com/news/index/665</link>
            <description>You can preview another new song off The Swell Season’s upcoming new album &lt;i&gt;Strict Joy&lt;/i&gt; out October 27th. The track “Feeling The Pull” is featured as NPR&apos;s &lt;a href=&quot;http://www.npr.org/templates/story/story.php?storyId=113258325&quot;&gt;Song of the Day&lt;/a&gt;!  If you enjoyed the duo’s previous work on the soundtrack to their film “Once,” or just like blue eyed folk infused soul such as Van Morrison, there’s a great chance you will love both this song and the entire new record. Just go &lt;a href=&quot;http://www.npr.org/templates/story/story.php?storyId=113258325&quot;&gt;here&lt;/a&gt; to listen.</description>
            <pubDate>Mon, 28 Sep 2009 00:09:00 -0700</pubDate>
            <guid>http://www.anti.com/news/index/665</guid>
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            <title>The Swell Season Announce Tour &amp; &apos;Strict Joy&apos; Pre-Sale</title>
            <link>http://www.anti.com/news/index/661</link>
            <description>&lt;a href=&quot;http://www.myspace.com/theswellseason&quot;&gt;The Swell Season&lt;/a&gt; will release their new album &lt;i&gt;Strict Joy&lt;/i&gt;, a follow-up to their beloved film and gold-certified soundtrack “Once,” on October 27th. They will also be touring North America.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Concert Tickets:&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
The dates for the Swell Season’s North American tour are listed &lt;a href=&quot;http://www.theswellseason.com/tour/&quot;&gt;here&lt;/a&gt;. Presale tickets for most of the shows are available now.  &lt;a href=&quot;http://event.etix.com/ticket/online/viewPerformanceGroup.jsp?group_id=147&amp;cobrand=theswellseason&quot;&gt;Click Here&lt;/a&gt; for the presale.&lt;br /&gt;
&lt;br /&gt;
Note: In order to limit scalping and get tickets to real fans, presale is limited to 4 per customer and are subject to specific WILL CALL ONLY restrictions. Will call only tickets may only be picked up at the venue box office by the ORIGINAL PURCHASER on the evening of the performance. In order to pick up tickets you will be required to provide a government-issued photo ID and the credit card used to make the purchase. Please note that these tickets are non-transferable. Please plan accordingly before purchasing. Again, while this policy makes gifting of tickets more difficult, it also greatly cuts down on the number of tickets that end up in the hands of scalpers, helping ensure that fans are able to purchase tickets!&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;New Album &lt;i&gt;Strict Joy&lt;/i&gt; (with extras):&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
While ordering tickets you can also pre-order the Swell Season’s new album &lt;i&gt;Strict Joy&lt;/i&gt; and receive the Limited Deluxe Edition CD, which includes a bonus live concert CD and One Step Away - Live from the Riverside Theater, Milwaukee, WI. May 8, 2008 DVD. Not only will you receive the bonus DVD, but this presale bundle includes a Swell Season canvas bag and 2 free mp3s! The CD will arrive at your mailing address by October 27. Instructions on how to download your free mp3s will be sent to your email. There is a limit of one presale bundle per order. To do this go &lt;a href=&quot;https://www.etix.com/ticket/servlet/onlineSale;jsessionid=866831967E08999181D8BFB8330BB7D4?action=selectPerformance&amp;cobrand=theswellseason&amp;performance_id=1074482&quot;&gt;here&lt;/a&gt;.</description>
            <pubDate>Wed, 09 Sep 2009 00:09:00 -0700</pubDate>
            <guid>http://www.anti.com/news/index/661</guid>
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            <title>THE SWELL SEASON - OSCAR WINNING DUO GLEN HANSARD AND MARKETA IRGLOVA - FIND &apos;STRICT JOY&apos;</title>
            <link>http://www.anti.com/news/index/642</link>
            <description>THE SWELL SEASON - OSCAR WINNING DUO GLEN HANSARD AND MARKETA IRGLOVA - GO THROUGH THE LOOKING GLASS AND FIND &apos;STRICT JOY,&apos; THE FOLLOW UP TO THEIR &apos;ONCE&apos; FILM &amp; SOUNDTRACK, DUE SEPT 29 ON ANTI- RECORDS&lt;br /&gt;
&lt;br /&gt;
The Swell Season, the Oscar-winning duo of Frames frontman Glen Hansard and Czech ingenue Marketa Irglova, are putting the finishing touches on &apos;Strict Joy,&apos; (Sept 29/Anti- Records), the follow-up to their beloved, surprise hit 2007 film and gold-certified soundtrack &apos;Once.&apos; The twelve new, original songs on &apos;Strict Joy&apos; were recorded last year and document a time of great change and tumult.&lt;br /&gt;
 &apos;Strict Joy,&apos; which borrows its name from a work by Irish poet James Stephens, was co-produced by Hansard and Peter Katis (The National, Interpol), and recorded mostly at Katis&apos; Tarquin Studios in Bridgeport, CT.  In addition to Hansard and Irglova, the album features Frames members Colm Mac Iomaire (violin), Joe Doyle (bass), Rob Bochnik (guitar), plus guitarist Javier Mas (Leonard Cohen), pianist Thomas Bartlett (Doveman), percussionist Chad Taylor (Chicago Underground Duo), horn players Steven Bernstein and Clark Gayton from Levon Helm&apos;s band, and others.  The Swell Season generated a wave of acclaim during the 2008 awards season including two Grammy nominations and an Oscar win for Best Original Song, for their hit single &quot;Falling Slowly.&quot;  The duo performed the song on the Oscars telecast, and Irglova provided one of the most memorable and poignant moments of the evening when host Jon Stewart called her back to the stage after a commercial break to give her acceptance speech.&lt;br /&gt;
&lt;br /&gt;
The success of &apos;Once&apos; also led to a sold out world tour for The Swell Season which was captured for an upcoming documentary. Hansard and Irglova will tour the U.S. extensively again this fall with dates to be announced soon.</description>
            <pubDate>Thu, 09 Jul 2009 00:07:00 -0700</pubDate>
            <guid>http://www.anti.com/news/index/642</guid>
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