Fatal Optimist could be considered the final chapter in her heartache trilogy, and the rawest entry. This is the Madi Diaz album most likely to haunt you with its starkness.
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‘Neon Grey Midnight Green’, Neko Case's simultaneously biggest-sounding and most intimate-feeling album yet.
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’Environments’ celebrates Bhatia’s full-circle return to improvised music after a decade-long foray into meticulous studio-based constructions.
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Departures & Arrivals: Adventures of Captain Curt merges the lavish scope of a space opera with the pure feeling of classic soul—ultimately bringing an even greater potency to his wildly eclectic sound.
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The Beths know the futility of straight lines. Existential vertigo serves as the primary theme on the indie heroes’ fourth album.
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The product of a real plan, instead of just recording on off days, ‘I DON'T LIKE MY TELEPHONE’ is tight, laser focused, and more representative of who they are as musicians.
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Recorded over a weekend at Los Angeles’s famed Sound City Studios – where Johnny Cash, Tom Petty and and Fleetwood Mac have also recorded well-loved songs – Christian Lee Hutson reimagined five tracks from his latest album and a previous fan favorite, “Rubberneckers”, for 'Paradise Pop. 10 Deluxe.’
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