’Environments’ celebrates Bhatia’s full-circle return to improvised music after a decade-long foray into meticulous studio-based constructions.
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Departures & Arrivals: Adventures of Captain Curt merges the lavish scope of a space opera with the pure feeling of classic soul—ultimately bringing an even greater potency to his wildly eclectic sound.
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The Beths know the futility of straight lines. Existential vertigo serves as the primary theme on the indie heroes’ fourth album.
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The product of a real plan, instead of just recording on off days, ‘I DON'T LIKE MY TELEPHONE’ is tight, laser focused, and more representative of who they are as musicians.
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Recorded over a weekend at Los Angeles’s famed Sound City Studios – where Johnny Cash, Tom Petty and and Fleetwood Mac have also recorded well-loved songs – Christian Lee Hutson reimagined five tracks from his latest album and a previous fan favorite, “Rubberneckers”, for 'Paradise Pop. 10 Deluxe.’
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Built on 20 years of friendship, Foxwarren ostensibly plays folk music, where warm tones and cantering rhythms buoy songs of characters wrestling with existential quandaries inside of twilit vocals.
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Lido Pimienta reemerges with La Belleza, a transcendent new album created in conversation with both European classical music and her personal life.
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