Son Little Shares Tender New Song “Cherry”
Curiosity about his ancestry has led songwriter and multi-instrumentalist Son Little on a journey throughout the American South that has resulted in his new album, simply titled ‘CITYFOLK.’
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Brennan Wedl Signs To ANTI- | Shares Cover Of “Six O’clock News” Feat. Waxahatchee
Singer-songwriter and multi-instrumentalist Brennan Wedl announces her signing to ANTI- Records today with the release of a cover of the Kathleen Edwards classic “Six O’Clock News” featuring Waxahatchee.
Sean Solomon Announces Debut Album 'The World Is Not Good Enough’
Musician and animator Sean Solomon had great expectations. But when his hopes for an abundant world crashed against an unforgiving reality, he decided to feel nothing. For a time, the Los Angeles-born-and-raised singer/songwriter and cartoonist/animator gave into the void, but artistic expression can be a release valve – a way …
Andy Shauf’s Foxwarren Unveils “Strange (Dan The Automator Remix)”
Andy Shauf’s Foxwarren is releasing yet another compelling track remix from their latest album ‘2’ today in collaboration with legendary San Francisco producer and composer Dan The Automator.
Death Cab for Cutie Announce New Album 'I Built You A Tower' Out June 5th On Anti- Records
Today, indie rock titans and eight-time GRAMMY nominees Death Cab for Cutie – Benjamin Gibbard, Nicholas Harmer, Jason McGerr, Dave Depper and Zac Rae – announce their 11th studio album.
SAM AKPRO x TYSON SHARE VIDEO FOR NEW COLLAB SINGLE “WAYSIDE”
Today, Peckham-born alchemist Sam Akpro shares a brand-new single/video for 'Wayside', featuring a guest turn from London soul trailblazer TYSON, available now on ANTI-. The single marks Akpro's first new music since his acclaimed 2025 debut album ‘Evenfall’, a stunning document of his singular, prodigious talent.
Multimedia Artist Sean Solomon Shares His Most Personal Song Yet
An arbiter of “intimate and contemplative indie-folk" (Paste), animator and musician Sean Solomon is releasing his intimate new single “Black Hole” today, which echoes the stripped-down, raw ache of The Microphones’ ‘The Glow Pt. 2’.